Play Along Piano

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Handel

HWV63A3N58 - "See, the conquering hero comes"

edward.maurath

3:33	Est. Play Time
80	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	11	0	2	6	92%
Flute	13	0	1	6	67%
	13	0	2	8	67%
Alto	11	0	1	6	58%
Organ as by Handel	14	0	1	6	58%
Soprano II	12	0	3	6	58%
French Horn I	9	0	1	6	50%
French Horn II	9	0	1	6	50%
Oboe	13	16	2	6	35%
Bass	9	0	1	6	33%
Cello Continuo	9	0	1	6	33%
Cortrebass Continuo	9	0	1	6	33%
Organ Continuo	16	18	3	5	33%
Organo Continuo	10	1	1	6	33%
Tenor	8	0	2	6	33%
Viola	9	0	1	4	33%
Violin I	9	0	1	5	33%
Violin II	10	0	2	8	33%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

2:34	Est. Play Time
78	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Bass	15	0	2	6	74%
Soprano 1	8	0	1	5	21%

HWV1A2N4 - Lass ein sanftes Händedrücken

edward.maurath

2:30	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	43	7	4	96%
	24	26	7	4	100%
Bassoon Continuo	20	0	4	4	100%
Double Bass	19	0	4	4	100%
Bass as Consalvo	12	0	3	6	65%
Oboe 1	15	0	2	5	53%
Oboe 2	16	0	4	5	52%

Messiah| No.41: Let Us Break Their Bonds Asunder

Pete Alan

1:42	Est. Play Time
68	Measures
	1,277Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	23	1	4	7	100%
Violas	20	1	6	6	99%
Violins	24	0	5	8	91%
	24	0	5	7	91%
Fagott	22	0	4	7	91%
Cembalo	23	49	6	7	87%
	26	72	5	7	84%
Tenor	15	0	4	5	82%
Oboe	15	0	4	6	74%
Soprano	15	0	4	6	74%
Alto	12	0	2	6	69%
Bass	15	0	3	6	65%

Messiah| No.33: Lift Up Your Heads, O Ye Gates

Pete Alan

4:06	Est. Play Time
78	Measures
	1,383Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	6	6	100%
	31	20	6	7	100%
Alto	8	0	1	7	90%
Tenor	12	0	2	7	82%
Soprano II	11	0	1	7	78%
Soprano 1	10	0	1	7	77%
Bass	15	0	2	6	74%

Samson - Händel - 3.96 Let their celestial concerts all unite

Jwagner

3:34	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	74	7	6	83%
	25	19	4	6	82%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	74	7	6	83%
	25	19	4	6	82%
Tenor	16	0	4	7	85%
Alto	12	0	3	6	83%
Bass	14	0	2	7	79%
Soprano	16	0	4	6	79%

Messiah| No.12: For Unto Us A Child Is Born

Pete Alan

3:18	Est. Play Time
99	Measures
	4,950Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Fagott	19	0	3	6	100%
Violoncellos	19	0	3	6	100%
Cembalo	26	113	4	6	92%
	25	68	3	6	96%
Violins	14	0	2	6	77%
	19	0	3	7	81%
	19	0	3	7	81%
Oboe	13	0	2	8	72%
	16	0	2	8	72%
Alto	12	0	2	7	66%
Soprano	13	0	2	7	66%
Tenor	12	0	2	7	61%
Bass	16	0	3	6	58%

For Unto Us A Child is Born

Mikey Hare

3:57	Est. Play Time
99	Measures
	1,187Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	19	0	3	7	98%
	19	0	4	7	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	19	3	7	98%
	19	4	7	100%
Violoncello	19	3	6	100%
Trombone	12	2	7	68%
	16	3	6	58%
B♭ Trumpet	13	2	7	66%
	12	2	7	66%

"Da tempeste il legno infranto" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

8:36	Est. Play Time
100	Measures
	2,042Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	23	49	4	6	100%
	20	55	4	6	99%
Harp Continuo	21	46	4	6	100%
	20	54	4	6	99%
Violoncello Continuo	19	0	4	5	99%
Violini	19	16	3	5	76%
Contrabassi Continuo	16	0	2	3	75%
Violoncelli Continuo	16	0	2	3	75%
Cleopatra	16	0	2	5	72%

"Hai tanto rapido" with ballet from Terpsichore, prologue to 'Il Pastor Fido,' HWV 8 (1734)

edward.maurath

6:33	Est. Play Time
142	Measures
	1,083Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	19	0	2	6	97%
Violini 2	15	0	2	4	97%
Cembalo (Continuo)	23	45	4	6	50%
	19	13	2	3	56%
Violoncello (Continuo)	16	0	1	3	56%
Violas	12	0	1	5	53%
Contrabassi (Contrabassi)	14	0	1	3	52%
Violoncelli (Continuo)	14	0	1	3	52%
Soprano as Apollo	12	0	1	6	50%
Flute	12	0	1	7	44%
	13	0	1	5	44%

"Tutto può donna vezzosa, s'amorosa" from "Giulio Cesare," HWV 17 (1724)

edward.maurath

19:47	Est. Play Time
146	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	82	10	7	98%
	19	7	6	5	81%
Violini Tutti	21	0	5	7	76%
Cleopatra	15	0	4	6	62%
Violoncello Continuo	18	0	4	5	61%
Oboe	12	0	1	7	59%
Contrabassi Continuo	17	0	2	5	51%
Violoncelli Continuo	17	0	2	5	51%
Bassoon Continuo	15	0	0	5	44%
Viole	10	0	0	5	34%
Bassoon Viola	10	0	0	5	16%